108 Names of Durga

108 NAMES OF DURGA

The sloka of 108 popular names of Goddess Durga is daily recited by her devotees. The names and the meanings of the names are -
Sl. No.	Durga Name	Meaning
1	Durga	The Inaccessible
2	Akashagamini	Move In the sky
3	Arogyada	Granter Of Good Health
4	Asurakshayamkari	Who reduced the number Of Demons
5	Ataviduhkhandhara Rakshika	Protects the Ignorant And Distressed
6	Ayurda	Granter Of Longevity
7	Balarkasadrushakara	Like The Rising Sun
8	Bandhananashini	One who detaches the Attachments
9	Bhaktavatsala	Bestower Of Devotees
10	Bhayanashini	Destroyer Of Fear
11	Bhootanushruta	Well-Wisher Of Bhootaganas
12	Brahmacharini	One who seeks for Brahman
13	Chandravispardimukha	Beautiful Like The Moon
14	Chaturbhuja	Who has four arms
15	Chaturvakttra	Who has four faces
16	Daya	Compassionate
17	Devi	The Deity
18	Dhanakshayanashini	Controller Of Wealth Decrease
19	Dhanurdharini	Who holds the Bow
20	Dhruti	Valiant
21	Divamalya Vibhooshita	Ornamented with beautiful garlands
22	Divyambaradhara	Beautifully Robed
23	Durga	Who can remove Distress
24	Durga	Deity Durga
25	Hri	Holy Chant Of Hymns
26	Indradhwaja Samabahudharini	Whose shoulders like Indra's Flag
27	Jaya	Who can gain the victory over all
28	Jyotsana	Radiant Like Flames
29	Kali	Goddess of Death
30	Kali	Dark-Complexioned
31	Kamacharini	Acting On One's Own Accord
32	Kamsavidravanakari	Who made a threat to Kamsa
33	Kantha	Radiance
34	Kanttadhara	One who holds Shiva's neck
35	Kaumaravratadhara	Observer Of Fasts Like Young Girls Do
36	Keyurangadadharini	Ornamented with Armlets And Bracelets
37	Khadgaketaka Dharini	Who hold Sword And Shield
38	Khama	Forgiveness
39	Krishna	Sister of Krishna
40	Krishna	Dark-Complexioned
41	Krishnachhavisama	Similar with Krishna's Radiance
42	Kriti	Who gain fame over
43	Kulavardhini	Progressor of the Race
44	Kumari	Young and Virgin Girl
45	Kundalapurnakarna Vibhooshita	Wearer Of Earrings which Covers The ears
46	Mahachakradharini	Who holds the Chakra
47	Mahakali	Mahakala's wife
48	Mahishasuranashini	Destroyer of the great demon Mahisha
49	Mamsapriya	Who is fond of flesh
50	Mangalya	Auspicious, Sacred
51	Mati	Wise
52	Mayoora Pichhavalaya	Adorned with Peacock-Feathered Bangles
53	Mohanashini	One who destroys the Desires
54	Mruthyunashini	Destroyer Of Death
55	Mukutavirajita	Adorned with a Shining Crown
56	Nagararakshika	Protects the Land
57	Nandagopakulajata	Daughter of the Nandagopa Race
58	Narayanavarapriya	In liking of Narayana's Boons
59	Nitya	Eternal and universal
60	Padmapatrakshi	Eyes Like The Beauty of Lotus Leaf
61	Pankajadharini	One who holds the Lotus
62	Papadharini	Bearer of others' faults
63	Papaharini	Destroyer Of all Sins
64	Pashadharini	One who holds the rope
65	Pashupriya	Who is fond of all beings
66	Patradharini	One who holds the Vessels
67	Peenashroni Payodhara	Large Bosomed
68	Prabha	Pre-Dawn hours
69	Prasanna	Cheerfulness
70	Pravasarakshika	Protects the Travellers
71	Purnachandra Nibhanana	Beautiful Like The Full Moon
72	Putrapamrityunashini	Sustainer Of Son's Untimely Death
73	Rajyada	Bestower Of Kingdom
74	Ratri	Night, darkness
75	Sagaragirirakshika	Protects over the Seas And Hills
76	Sandhya	Twilight,Evening
77	Sangramajayaprada	Granter Of victory In the war
78	Sangramarakshika	Protects the Wars
79	Sankarshanasamanana	Equal to Sankarshana
80	Santati	Who grants all issues
81	Sarvakaryasiddhi Pradayika	One who grants Success In All Attempts
82	Saukhyada	Bestower Of Well-Being
83	Seedupriya	Who is fond of drinks
84	Sharanya	Who can grant Refuge
85	Shatrusankata Rakshika	Protects the Distressed from the foes
86	Shikhipichhadwaja Virajita	Having Peacock-Feathered Flag
87	Shilathata Vinikshibda	At the time of birth, slammed by Kamsa
88	Shiva	Auspicious,Sacred
89	Shiva	Shiva's better half
90	Shree	Sacred
91	Siddhi	Having all Success
92	Surashreshtta	Supreme among the Celestials
93	Sutada	Granter Of all Issues
94	Trailokyarakshini	Protector Of The Sargya, Martya, Patal
95	Tribhuvaneshwari	Goddess of Sargya, Martya and Patal
96	Tridashapujita	The Goddess Of The Celestials
97	Tridivabhavayirtri	Goddess Of Sargya, Martya, Patal
98	Vapurda	Granter Of Beautiful Appearance
99	Varada	One who grants the Boons
100	Varada	Bestower of all
101	Varada	Bestower
102	Vasudevabhagini	Sister Of Vasudeva
103	Vidhya	Wisdom
104	Vijaya	Who can conquer over all
105	Vindhyavasini`	Resident Of The Vindhyas
106	Vividayudhadhara	One who carries various Weapons
107	Vyadhinashini	Vanquisher Of Ailments
108	Yashodagarba Sambhoota	Coming out from Yashoda's Womb
Besides these 108 names, Durga is also called by many other names, such as, Rati, Barani, Tamasi, Nanda, Tulsi Devi, Roudri, Naini Devi etc.

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Origin of Durga

Origin of Durga - The Mythology

According to Hindu mythology,Goddess Durga’s miraculous arrival was the tyranny of a demon named Mahishasura. Mahishasur's father Rambha, was King of the Asuras, once fell in love with a Water Buffalo,  and Mahishasur was born out of this union.  He, therefore was able to change between human and buffalo form at will ("mahisha" means buffalo). Despite being a demon (the word asura  means "not-God" and does not have as strong a negative connotation as "demon"), Mahishasura was also pious in  meditation. invincible strength and favor of Lord Shiva after a hard penance and terrific austerities. Lord Shiva, impressed with his devotion, blessed him that no man or deity would be able to kill him and that only a woman can kill him. Mahishasura  was very pleased with this boon as he thought that he can never be defeated by a woman. Arrogant Mahishasura started his reign of terror over the Universe and started killing people mercilessly. He even attacked the Abode of the Gods and conquered the heaven and desired to become their leader

The Birth of Durga

The Gods were afraid from the terror of this wild, destructive water-buffalo bull because most of them were defeated and humiliated by him (Mahishasur).  The Gods took refuge under Lord Brahma, who took them to Lord Shiva and Lord Vishnu. The solution was derived by an idea of creation of a woman who possess the ultimate power to fight and vanquish Mahishasur.

At a single point, the divine energy of all the fires coalesced and became Shiva, in the form of a beautiful, magnificent young woman with ten hands. Her face was from the light of Shiva. Her ten arms were from Lord Vishnu. Her legs were from Lord Brahma. Her tresses were formed from the light of Yama, the God of death; the two breasts were formed from the light of Somanath, the Moon God;  the waist from the light of Indra, the king of Gods; the legs and thighs from the light of Varun, the God of Seas; hips from the light of Bhoodev  the God of Earth; the toes from the light of Surya- Sun God; fingers of the hand from the light of the Vasus the children of Goddess river Ganga; and nose from the light of Kuber, the keeper of wealth for the Gods. The teeth were formed from the light of Prajapati, the lord of creatures, the triad of her eyes was born from the light of Agni, the Fire God, the eyebrows from the two Sandhyas  that is sunrise and sunset, the ears from the light of Vaayu, the God of Wind. Thus from the energy of these Gods, Goddess Durga was formed.

The Gods then gave to her their divine gifts: Pinakadhrik gave her a Trishul. Krishna gave her  Sudarshan Chakra. Varuna, the sea, gave her a Shankh and the God of Fire gave her a missile. From the Wind God Vayu, she received  Bow and Arrows. The King of Gods, Indra, gave her a Vajra and also Bell as the symbolic representation   of his white-skinned elephant Airavata. From the God of Death, Yama- Durga received a Iron Rod, and from the Ruler of Waters she was given a Noose.

Durga received many other precious and mystical treasures- Gifts of Jewels, New Clothing, and a Garland of Immortal Lotuses. Heaven's Architect gave her a Bright Axe and Kawach. God of Mountains, Himalaya gave her Jewels and a magnificent Lion to ride into battle. 

Equipped with the fearsome weaponry of the Gods and dressed in golden armor and jewels she set off, seated gracefully upon that lion. His thunderous roars shook the entire Universe. The balance of the Oceans, Mountains, Earth – all attained a new change, as whole new chains of mountains rose, while older ranges crumbled, cracked, and gave way to dust, water from the Oceans rippling in waves through all the 3 Worlds. Mahishasura and his Demon Allies found their attention drawn from Heaven to Earth. Though confident of their power and control in Heaven, even the conquering Demon host could not help being awestruck. 

In the battlefield:

The Demons had little time to take a glance on the radiant visage of their new adversary, because she engaged them on the battlefield. First the army of Chikasura and then of Chamara- Mahishasura's chief commander came to confront the deity. They were destroyed in a great battle. At first, confident of his overwhelming power, Mahishasura was sure to defeat the Goddess, but seeing the setbacks being dealt his commander's troops on every side, it soon became obvious to Mahishasura that  he would surely be cast out  from Heaven.

Onto the battlefield swarmed that most despised assemblage of Demons, wielding their unearthly collection of weapons. Leading this evil array in its mad and desperate charge were thousands of charioteers and cavalry of horses and elephants.

Surrounded by chants of praise, the blowing of horns the beating of drums and songs of worship Goddess Durga roamed the battlefield on her mighty lion. From her divine breath her army was constantly replenished with new warriors, each able, brave and resolute. 

With her bell she confused the Demons, and many were dragged away bound and chained. With her divine sword she cut them to bits. Demons and elephants and horses died and a river of blood flowed across the battlefield

Death of Mahishsura

Mahish, the king of the demons and usurper of the throne of Heaven, was shocked and enraged by the disastrous events on the battlefield. He reverted to his own form, a buffalo, and charged about on the battlefield. He ran wildly at Durga's divine soldiers goring many, biting others and all the while thrashing with his long, whip-like tail. Durga's lion, angered by the presence of the demon-buffalo, attacked him. While Mahishasura was struggling with the lion, Durga threw her noose around his neck. To escape this trap, he discarded the buffalo disguise and assumed the form of a lion. Durga beheaded the lion, and the demon escaped in the form of a man. Without hesitation, Durga dispatched the man with a flight of sharp arrows. Yet again the demon escaped, and this time took the formidable shape of a huge elephant, which battered Durga's lion with a tusk. With her sword Durga hacked at the tusk until it too was broken. 

Weakened, the Demon reverted once more to his own form the wild buffalo. He retreated into the mountains where he hurled boulders at Durga with his horns. The Mother of the Universe drank the Divine Nectar, gift of Kubera. She jumped on Mahishasura pushing him to the ground with her left
leg. She grasped his head in one hand, pierced him with her sharp spear held in another, and with yet another of her ten hands she wielded her bright sword, beheading him. At last he fell dead, and the scattered surviving remnants of his once invincible army fled in terror. 

The Gods returned to heaven, and along with the sages of the earth, they sang praises for Goddess Durga. Henceforth, and to this day, the Goddess Durga is worshipped by all the Gods in heaven, and all human beings on earth. Mahishasura is there too--frozen in his moment of final defeat, impaled by Durga's spear and prostrate beneath her left foot.

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Nav Durga

NAV DURGA (DIFFERENT FORMS OF GODDESS DURGA)

1. Sailaputri:

Goddess Durga’s first form amongst the nine is Sailaputri. She was nomenclatured as Sailaputri after being born in the house of the king of the mountains, Himalaya. In this mold the mother is seen holding a Trishula(Trident) in her right hand and a Lotus in her left and she is mounted on an Ox. In her past life she was the daughter of Daksha, the son of Lord Brahma. She was known as Sati then. As the daughter of Daksha she was married to the God of Gods, Mahadeva.

Daksha once arranged for a ceremony of holy fire (Yagna), and chose not to invite his daughter and son-in-law. Sati was restless to join the ceremony at her Father’s place and being obstinate, she reached there.

On going uninvited to the ceremony, she felt that everyone was giving her a cold shoulder except her Mother who greeted her with a hug. The guests too present in the function were giving disrespectful comments about her Husband. To her surprise her father too was harsh and rude in his approach. She was dejected and was so heart broken that she burnt herself to ash in the holy fire. Shiva, on hearing this incident was enraged and ordered his followers to immediately demolish the Daksha Yagna.

After burning herself to death, Sati was reborn as the daughter of the king of the mountains, Himalaya and became known as Sailaputri. Thus amongst all the nine forms of Devi Durga, Sailaputri is the most powerful and glorified of all. She is worshiped in the first day of the Navratri celebrations. According to the Upanishads this form of Durga broke the pride of the Gods by assuming the mold of Haimabati. Being ashamed they bowed and prayed that, "Thou are Shakti, we all - Brahma, Vishnu and Shiv get Shakti from you."

2. Brahmacharini:

Durga’s second appearance is in the form of Brahmacharini. Here "Brahma" means meditation. That is, the Goddess is the meditator or a practitioner of penance. She is seen here holding a string of rosary beads in her right hand and a Kamandul (an urn containing holy water) in her left hand. In her previous life, when she was reborn as the daughter of Himalaya, she performed severe penance to have Mahadeva as her husband. The sage God Narad advised her to take up meditation to win Shiva. For undergoing strict meditation she was known as Brahmacharini or Tapasyacharini. Ignoring the beating sun and thunder showers, she began a Three Hundred year meditation living only on wood Apple leaves that fell on the forest floor. She furthered her penance making it even stricter by relinquishing food and water for another few Hundred years. As she gave up eating leaves she is also referred to as “Aparna”. Practicing this painstaking contemplation she became weak and skinny. Unable to withstand the plight of her daughter her mother, Manoka requested her to give up her resolution. Shocked at the sight of Durga she exclaimed “ U ma! Na aar naa”. That is why Durga is also called “Uma”. 

On the other hand overwhelmed by Durga’s devotion and perseverance, all the Gods and sages in the heaven were pleased. At last, grandfather Brahma, pleased with devi’s austerities made an oracle, “O maiden! No one could achieve or endure the penance you have performed till date. I am captivated by your meditation and devotion. Your wish will be fulfilled and you will certainly have Shiva as your husband. You may now return home and rest. Your father will come soon to take you.”This form of Durga gives the devotees everlasting success. Worshop of this appearance enriches the faculties of sacrifice, honesty and self-discipline. In times of utter distress the worship of this form gives success and the willpower to come out victorious. This form of Durga is worshiped in the second day of the Durga puja.

3. Chandraghanta:

Mother Durga’s third form is known as Chandraghanta. This name finds its justification in the half moon seen on the temple of the Goddess that resembles a bell. The deity has ten arms. The ten hands of the Goddess brandish ten different weapons. Mounted on a lion this form of the mother is worshiped on the third day of the Navratri celebration. It is believed that a devotee who manages to earn the devi’s blessings can set himself free from his sins and hazards that he has committed or may face in his life. The devotee gains the power to sense the supernatural, to see it and even smell the eternal fragrance. The deity is always envisaged in the fearsome mood of demolishing the evil, her appearance always spreads a calm and eternal peace all round. Mother Chandraghant’s devotees spread peace and happiness wherever they go. We should all whole-heartedly worship the mother with a devoted soul. Worship of the deity helps one eliminate the sorrow, hazards and dangers in ones life.

4. Kushmanda:

The fourth appearance of the devi is in the form of Kushmanda. The mother gets the name as she created the universe with a smile. When there was darkness everywhere and there was no existence of the universe she created the universe with a smile. She is believed to be the source of eternal power. The Goddess has eight arms and that is why she is also known as “Astabhuja”. The deity’s seven hands hold the holy urn (Kamandul), a Bow, an Arrow, a Lotus, a Pot containing nectar, a Sudarshan Chakra  and a Club. The Eighth hand holds a string of rosary beads that is believed to provide success and prudence. Pumpkin is termed as “Kushmando” in Sanskrit. Amongst the sacrificial vegetables that are offered in the worship of the Goddess (naibidhya), pumpkin is the most important vegetable with which Devi Kushmanda is most placated. She is worshiped on the Fourth day of the Navratri celebration abiding by the rituals that are described in the Sashtra and the Purans. Worship of this form of the Devi exterminates sorrow and diseases and augments life, fame and strength. Mother Goddess is appeased with the slightest of devotion and if any one whole-heartedly worships the deity he will certainly gain her favour. 

5. Skandamata:

Fifth form of the mother is known as Skandamata. Kumar Kartik’s other name is Skanda. As devi Durga is the mother of Kartik, she is referred to as “Skandamata”. This form of the deity has four arms. The mother is seen holding her son Skanda with the top right hand and she is holding a lotus in her lower hand. The top left hand is positioned in a blessing gesture and the other hand holds a lotus. The Goddess is fair and sits on a lotus. 

That is why the devi is also known as “Padmasana”. Here she is seen mounted on a lion. If anyone worships her whole-heartedly, she fulfills the wish of the devotee.

6. Katyayani:

Kattayani is the sixth form of Devi Durga. Sage “Kattayan” was the son of the great sage “Kat”. Sage “Kattayan” was born in the “Kattya” clan. He was engaged in rigorous penance and worship of “Bhagabati Paramba”. His prayer was all about requesting the mother to appear in his house-hold as his daughter. Mother “Bhagabati” obliged him. After some time, when, the world was terrorized of Mahisasura, lord Brahma, Vishnu and Maheshwara with their divine powers gave form to a Goddess to combat Asura and destroy him. Kattayan was the first to worship her and that is why she is known as “Devi Kattayani”. It is mentioned in the Shastra that Kattayani was born as the daughter of the sage Kattayan. Taking birth on the Fourteenth day of the new moon in “Ashwin” (September-October), she accepted the worship of the sage Kattayan on Saptami, Astami and Navami and ultimately slew Mahisasura on Dashami. The deity’s complexion is as bright as Gold. She has four hands. The top right hand is positioned in a gesture of providing courage and the other hand is positioned in a gesture of rendering a boon. The top left hand is holding a Sword and the other holding a Lotus. The Goddess is mounted on a Lion and she is worshiped on the sixth day of the Durga puja. If one worships the deity with a pure soul he attains success in religion, wealth, passion and salvation. Disease, sorrow and fear are eliminated. Worship of this deity helps one to emancipate himself from the sin he may have committed over the cycle of his births and rebirths. We should all devote our prayers to the mother to lead a better life. 

7. Kalratri:

Mother Goddess's seventh form is "Kalratri". Her complexion is as dark as the night. Her cascading hair is let loose and she is seen wearing a garland that radiates light as bright as lightning. She is fearsome with her menacing three eyes, radiating fire. She is mounted on an ass. She has four hands, of which, the top right hand is in a gesture of rendering boon to all. The other hand on her right is rendering fearlessness. The top left hand is holding an iron Dagger and the other hand is holding a Sickle. Although she has a menacing appearance, she always delivers favorable results and her devotees need not fear.

She is worshiped on the seventh day of the Durga puja. Devi Kalratri destroys the evil. If anyone whole-heartedly pleads of saving himself from any impending danger, she protects him. As and when the Goddess is called, the evils instantaneously disappear from the place. By the Goddess's grace, the devotees overcome their fear of fire, water, animals and foes. 

8. Mahagauri:

Mother's eighth form is known as "Mahagauri". Her complexion is extremely fair. Her garments are also white. She is mounted on an ox and has four hands. Her top right hand is rendering fearlessness and the hand below holds a trident. The top left hand holds a "Damru" and the hand below is in a gesture of giving a boon. To have Shiva as her husband she went through a rigorous penance in the form of "Parvati". As a result of this arduous meditation her complexion turned dark. Lord Shiva, pleased with the devotion of Parvati, bathed her in the holy water of the Ganges. As she bathed in the holy water she turned fair. From then onwards she became known as "Mahagouri". She is worshiped on the eighth day of the Durga puja. The devotee is benefited on all fronts as he worships the deity. Due to the Goddess's grace the devotee attains supernatural salvation, he is relieved from all his pains and fatigue and can set himself free from his previous sins. He is never faced with sorrow and poverty and never commits any sin. The devotee wins pure and endless virtue.

9. Siddhidatri:

Durga's ninth mold is the form of "Siddhidatri". She delivers success. According to "Markendeo Puran" there are eight types of success, such as "Anima", "Laghima", "Prapti", "Prakashya", "Mahima", "Ishhattya", "Bashittya", "Sarvakaam bashayita" and "Sarvagyata". But in the "Brahmabaibarta Puran" in the "SriKrishna Janmakhanda" there are another ten types of success such as "Dursravan", "Parakayaprabeshan", "Baksiddhi", "Kalpabrikkhatta", "Sristi", "Sanharkaransamartha", "Amaratta", "Sarvanyaykatta", "Bhavna" and "Siddhi". Thus there are eighteen types of successes. Mother Siddhidatri is capable of rendering all these forms of successes to her devotees. According to the Purans, Lord Shiva achieved salvation by the grace of this deity. The deity is seen sometimes sitting on a lotus and sometimes mounted on a lion. She is four armed. The lower right hand of the Goddess holds a disc and the upper right hand holds a club. The lower left hand holds a Shankha(conch shell) and the upper hand holds a Lotus. She is worshipped on the ninth day of the Durga puja. She is the ultimate form of the Goddess among the Navadurga. After having performing the Puja of the other forms of the Goddess according to the rituals mentioned in the Sashtra, the devotee can then start the worship of this Deity. Those who worship the Goddess with full devotion are bestowed with all the success.

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List of Puja Materials

The Essentials of Durga Puja

Specific items are needed for each day of Durga Puja. There is a detail method to worship Goddess Durga that are mentioned in the scriptures. Items which are needed for the ritual worship of the Goddess should be collected beforehand so that the ritual is performed smoothly. The list of essentials of Durga Puja are:

Items needed for Kalparambho, the ritual performed before the commencement of the puja and Mahasna:

Food Offerings : Panchashasha (grains of five types - rice, mung or whole green gram, til or sesame, mashkalai or any variety of whole black leguminous seed, job or millet), Panchagobbo (five items obtained from the cow - milk, ghee or clarified butter, curd, cow dung and gomutra ), curd, honey, sugar, three big noibiddos , one small noibiddo, three bowls of madhupakka (a  mixture of honey, curd, ghee and sugar for oblation), bhoger drobbadi (items for the feast), aaratir drobbadi mahasnan oil, dantokashtho, sugar cane juice, an earthen bowl of atop (a type of rice), til toilo (sesame oil).

Water Offerings: Ushnodok (lukewarm water), coconut water, sarbooushodhi , mahaoushodhi, water from oceans, rain water, spring water, water containing lotus pollen.

Puja Items: Sindur (vermillion), panchabarner guri (powders of five different colours - turmeric, rice, kusum flowers or red aabir, rice chaff or coconut fibre burnt for the dark colour, bel patra or powdered wood apple leaves), panchapallab (leaves of five trees - mango, pakur or a species of fig, banyan, betal and Joggodumur or fig), pancha ratna (five types of gems - gold, diamond, sapphire, ruby and pearl), panchakoshay (bark of five trees - jaam, shimul, berela, kool, bokul powdered in equal portions and mixed with water), green coconut with stalk, three aashonanguriuk (finger ring made of kusha).

Cloth Offerings: Gamcha or a piece of cloth to cover the pot, a dhoti for Vishnu, a sari each for bodhon and Chandi.

Decorative Items : Ghat or a pot, kundohari , a mirror, four arrows, tekatha or a triangular frame of wood, horitoki flowers (myrobalan), chandmala (garland with circular decorations), aashon (a mattress of jute or hay).

Other Items : Water camphor and perfumed sandal wood paste. soil - extracted from elephant tusks, from the teeth of the pig, from the horns of the ox, from the bank of rivers Ganga and Saraswati, from both the banks of a river, from a place where four roads intersect, from palaces, from the ant hill, from the mountains, Vishnu toilo.

Items needed for the Shashthi puja of Goddess Durga:

Food Offerings: A stem of wood apple with fruits, green coconut with stalk, an earthen bowl full of atop, three bowls of madhupakka, sesame seeds, curd, honey, clarified butter, sugar, three big noibiddos, one small noibiddo, bhoger drobbadi, aaratir drobbadi, grain, fruits, one dozen bananas with a single stem, white mustard seeds.

Puja Items : A pot, four arrows two ashonanguriuk, panchapallab, pancha ratna, panchashasha, panchagobbo, tekatha, dubba grass, sindur, swastik pituli, conch shell, kajol (corrilium), gorachana, yellow thread, chamor, a fly-whisk made of yak's tail used for fanning, earthen lamps, panch pradip for arati.

Cloth Offerings: Gamcha to cover the pot, a dhoti for the wood apple tree, a sari for bodhon, one sari for amontron.

Decorative Items: Myrobalan, flowers, chandmala, adibas oil, turmeric, soil from the bank of river Ganga, perfume, stone, gold, silver, copper, iron, mirror and alta.

Items Needed For Saptami Puja of Goddess Durga:

Food Offerings: Sesame seeds, myrobalan, flowers, two earthen bowls full of atop, green coconut with stalk, wood apple leaves, white mustard, madhupakka (40 or 22 bowls), honey, sugar, noibiddos (40 or 22), one main noibiddo, fruits, items for bhog.

Puja Items: Jute ropes, red thread, alta, four finger rings, four yadnyopaveet, a pot, a mirror, a tekatha, sandalwood, mashkolai, hibiscus flower, small noibiddo, one big earthen lamp, panchapallab, pancha ratna, panchashasha, panchaguri, vermillion, items for arati, items for the yadnya - sand, wood, dry khorke grass, cowdung, kusha grass, ghee, 108 bel leaves and a bowl.

Cloth Offerings: Clothes for the Pundit, a piece of cloth, gamcha for arati, 40 or 22 finger rings made of kusha, sari for nabapatrika, one sari for the main puja, saris for Durga, Lakshmi, Saraswati, Chandi, dhoti for Kartik, Ganesh, Shiva, Vishnu, clothes for nine planets, clothes for peacock, mouse, lion, demon, buffalo, ox, snake, chandmala, a nosering, iron, conch shell.

Plants and flowers offerings: Flower garland, belpatra garland, Banana plant, turmeric plant, colacassia plant, wood apple stem, pomegranate stem, a stem of Jayanti plant, arum plant, rice plant, ashoka stem, twigs of white aparajita plant, two banana stems.

Items needed for Ashtami Puja of Goddess Durga:

Food Offerings : Fruits, items for bhog, items for arati, 40 or 22 bowls of madhupakka, honey, sugar, curd, ghee, 40 or 22 noibiddos, four small noibiddos.
Cloth Offerings : One sari for Durga, new clothes for Lakshmi, Saraswati, Chandi, Kartik, Ganesh, Shiva, Vishnu, nine planets, the peacock, mouse, lion, demon, buffalo, ox, snake, Jaya, Bijoya and Ram.
Puja Items : One dantakashto, 40 or 22 finger rings made of kusha, one nosering, iron, two conch shells, a box of vermillion, flowers, a garland, belpatra garland, one chandmala, one ghoti.
For Sandhi Puja:  Flowers, gold ring, a bronze bowl for madhupakka, a small sari, main noibiddo, one small noibiddo, one plate, one pitcher, iron, one nosering, one pillow, a mat, a chandmala, 108 earthen lamps, items for bhog, and items for the arati .

Items needed for Nabami and Dashami Pujas:

Food Offerings : Betel leaves, pan masala, 40 or 22 bowls of madhupakka, honey, sugar, curd, ghee, 40 or 22 noibiddos, four small noibiddos.

Cloth Offerings : Clothes for Lakshmi, Saraswati, Chandi, Kartik, Ganesh, Shiva, Vishnu, the nine planets, the Peacock, Mouse, Lion, Demon, Buffalo, Ox, Snake, Jaya, Bijoya and Ram, one dantakashto , one sari for the main puja.

Puja Items: Flowers, 40 or 22 finger rings made of kusha, one ghoti , one nosering, iron, two Shankha(conch shells), a box of Vermillion, flower garland, belpatra garland, a chandmala, one plate, items needed for the yadnya (fire sacrifice), bel leaves, gift for the Purohit.

For the Dashami puja:  Perfume, flowers, durba grass, basil leaves, bel leaves, incense sticks, an earthen lamp, noibiddo, curd, murki, sweets and items needed for Aarati.

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Navratri

Navratri, the festival of nights, lasts for 9 days with three days each devoted to worship of Maa Durga, the Goddess of Valor, Maa Lakshmi, the Goddess of Wealth and Maa Saraswati, the Goddess of Knowledge. During the nine days of Navratri, feasting and fasting take precedence over all normal daily activities amongst the Hindus. Evenings give rise to the religious dances in order to worship Goddess Durga Maa. The festival is celebrated with true devotion and purity all over the country. People from various sections of the society irrespective of caste and creed celebrate this festival by visiting temples and offering pujas at the Mother’s feet.

1st - 3rd day of Navratri

On the first day of the Navaratras, a small bed of mud is prepared in the puja room of the house and barley seeds are sown on it. On the tenth day, the shoots are about 3-5 inches in length. After the puja, these seedlings are pulled out and given to devotees as a blessing from God. These initial days are dedicated to Durga Maa, the Goddess of power and energy. Her various manifestations, Kumari, Parvati and Kali are all worshipped during these days. They represent the three different classes of womanhood that include the child, the young girl and the mature woman.

4th - 6th day of Navratri

During these days, Lakshmi Maa, the Goddess of peace and prosperity is worshipped. On the fifth day which is known as Lalita Panchami, it is traditional, to gather and display all literature available in the house, light a lamp or 'diya' to invoke Saraswati Maa, the Goddess of knowledge and art.

7th - 8th day of Navratri

These final days belong to Saraswati Maa who is worshipped to acquire the spiritual knowledge. This in turn will free us from all earthly bondage. But on the 8th day of this colourful festival, yagna (holy fire) is performed. Ghee (clarified butter), kheer (rice pudding) and sesame seeds form the holy offering to Goddess Durga Maa.

Mahanavami

The festival of Navratri culminates in Mahanavami. On this day Kanya Puja is performed. Nine young girls representing the nine forms of Goddess Durga are worshiped. Their feet are washed as a mark of respect for the Goddess and then they are offered new clothes as gifts by the worshiper. This ritual is performed in most parts of the country.

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Mahalaya

"Mahalaya day”, the day Durga was assigned the task of eliminating evil. An invitation to the mother goddess to descend on earth - "Jago Tumi Jago".

The traditional six day countdown to Mahasaptami starts from Mahalaya. Goddess Durga visits the earth for only four days but seven days prior to the Pujas, starts the Mahalaya. The enchanting voice of Birendra Krishna Bhadra fill up the predawn hours of the day thus marking the beginning of  “devipaksha”and the beginning of the count-down of Durga. It is an auspicious Indian occasion observed seven days before the Durga Puja, and heralds the advent of Durga, the Goddess of supreme power. The dark fortnight of Aswayuja is known as the  Mahalaya Paksha or the fortnight specially sacred for offering oblations to the departed ancestors. Durga - goddess of deliverance - comes to earth on the seventh day after the autumn new moon. She is depicted by the 'kumors' or potters as a resplendent golden figure standing on a lion's back, each of her ten arms bearing a particular weapon, as she triumphs over the demon Mahisasura.

From this day starts 'Devipaksha' and marks the end of 'Pitri-paksha'. It is the day when many throng to the banks of river Ganga, clad in dhotis to offer prayers to their dead relatives and forefathers. People in the pre-dawn hours pray for their demised relatives and take holy dips in the Ganges. This ritual is known as 'Torpon'.

This day bears immense significance for the Bengalis. It is according to the myths that Sree Rama hastily performed Durga Puja just before he set for Lanka to rescue Sita from Ravana. According to Puranas, King Suratha, worshiped  Goddess Durga in spring. Thus Durga Puja was also known as Basanti Puja. But Rama proponed the Puja and worshiped Durga in autumn and that is why it is known as 'Akal Bodhon' or untimely worship. It was considered untimely as it is in the myths that puja was performed when the Gods and Goddesses were awake i.e. "Uttarayan" and was not held when the Gods and Goddesses rested ie."Dakshinayan". It was on the day of Mahalaya, the beginning of "Devipoksha", the Gods and Goddesses woke up to prepare themselves for Durga Puja.

Akashvani Mahalaya: In the year 1930, Mahalaya was first broadcasted over the radio in Akashvani. The programme was organised by Premankur Aatorthi, Birendra Krishna Bhadra, Nripendra Krishna Mukhopadhya and Raichand Boral. It was broadcasted live then. Later it was recorded and played. Bengal's cine star, Uttam Kumar had once recited Mahalaya while Hemanta Kumar Mukhopadhya was the music director. But it was not popular among the mass and from then it has always been the voice of Birendra Kishna Bhadra enthralling the listeners in the pre-dawn hours of Mahalaya. The script was written by Bani Kumar, music was directed by Pankaj Kumar Mallik while Dijen Mukhopadhya, Manobendra Mukhopadhya (Tabo Achinta....), Sandhya Mukhopadhya, Arati Mukhopadhya, Utpala Sen, Shyamal Mitra and Supriti Ghosh (Bajlo tomar alor benu....) sang in their melodious voices.

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The Bengalee Belief

Sati, the consort of Shiva was the daughter of Daksha Prajapati a descendant of Bramha. Sati had married Shiva against the wishes of her father. Daksha organised a sacrifice and the attendees came from various parts of the universe. He invited all of the gods and goddesses except his son in law Shiva. Against Shiva's wishes, Sati attended this sacrifice and was insulted by her father and cousins. Unable to bear this insult, Sati immolated herself.

Enraged at the insult and the injury, Shiva destroyed Daksha's sacrifice, cut off Daksha's head and when pleaded by other gods, replaced it with that of a goat and restored him to life. Still berserk with grief, he picked up the remains of Sati's body, and danced the dance of destruction throughout the Universe. The other gods intervened to stop this dance, and then the Sudarshan Chakra of Vishnu cut through the corpse of Sati, whose various parts of the body fell at several spots all through the Indian subcontinent and formed the sites of what today are known as Shakti Peethas today.

Shiva was finally pacified when the last piece fell off from his shoulder. Narayana revived sati as Uma for a new life. Ever since peace was restored, Uma, with her children, Ganesh and Kartick and with her two 'Sakhis' - Jaya and Bijaya, comes to visit her parent's home each year during the season of 'Sharat' or autumn when Durga Puja is celebrated.

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Akalbodhan

The worship of Devi Durga in the month of Ashwin is called 'Akalbodhan'- an uncustomary time for commencement of the worship. Hence this puja is called Akalbodhon.

In the 'Ramayana', Rama went to 'Lanka' to rescue his abducted wife, Sita, from the grip of Ravana, the king of the Demons in Lanka. Before starting for his battle with Ravana, Rama wanted the blessings of Devi Durga. He came to know that the Goddess would be pleased only if she is worshipped with one hundred 'NeelKamal' or blue lotuses. Rama, after travelling the whole world, could gather only ninety nine of them. He finally decided to offer one of his eyes, which resembled blue lotus. Durga, being pleased with the devotion of Rama, appeared before him and blessed him. The battle started on the 'Saptami' and Ravana was finally killed on the 'Sandhikshan' i.e. the crossover period between Ashtami (the next day) and Navami (the day after). Ravana was cremated on Dashami. Since the period of this worship was different from the conventional period (during the spring - 'Basanta'), this puja is also known as 'Akal-Bodhan' or a worship (Bodhan) in an unconventional time (A-Kaal).

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Sarbojanin (Barowari) Durga Puja

Durga Puja is the most awaited festival of West Bengal, spanning over four days at a stretch. It is not possible for everyone in the community to organize it of their own. A Durga Puja is organized by a group of people in a locality thence being known as Sarbojanin Durga Puja.

Initially, Durga Puja was celebrated only in affluent and zamindar families of West Bengal. Then Barowari Puja came into existence. The word "Baroyari" is derived from "Baro" and "Yaar" ie. a group of twelve friends. Guptipara in Hoogly was the first place in Bengal where the idea of "Baroyari" or "Sarbojanin" puja was conceived in the year 1790. It took 120 yrs. for "Baroyari" Durga Puja to reach Calcutta. The first organiser of "Baroyari" Durga Puja in Calcutta was "Sanatan Dharmatsahini Sabha" of Behala, Shakher Bazar. The overwhelming enthusiasm and participation of common people increased the number of "Baroyari" Durga Puja through out the state.

With lapse of time, the Barowari Puja was renowned as Sarbojanin Durga Puja. The word Sarbojanin comprises of two words: “Sarbo” in Bengali (Sanskrit) meaning “for all” and “Jan” meaning “people”. So the word Sarbojanin means For All People. The Sarbojanin Puja understands no restrictions in respect of Colour, Creed, Caste or Class. The “Bhog” distributed after Puja is taken as a blessing of Goddess Durga with equality and compassion. 

During Durga Puja, entire streets of West Bengal are covered by Huge Structures called “Pandal”. It is a structure made of bamboos and cloth, used as a temporary enclave for the Goddess. Each Pandal has its own theme based on current affairs, historic events, work of fiction, work of Art or of any other innovative ideas. These Pujas are organized by committee which represents certain group of people or locality. The expense of the Puja is raised by collecting funds known as “Chandaa” through door-to-door visit, concert, advertisements etc. 

On the time of Puja, the Ritual drummers – “Dhakis” carrying large leather-strung Dhak – show off their skills during ritual dance worships called Aarati. The Puja is performed traditionally in these Pandals. Many idols in Pandals are bought from Kumartoli, were the artisans live situated in North Calcutta.

Sarbojanin Durgotsav, as we know it today, started off much later in Kolkata, in the 1920s, with Shimla Byayam Samiti and Bagbazar being the earliest.  In 1926, Atindranath Bose commenced ‘Sarbojanin’ Durga puja in which anybody, irrespective of caste, creed and religion, could participate in the festivities. This was organized to instill a feeling of unity and brotherhood. At present hundreds of Pujas are held in the city’s lanes and streets.

The puja in recent years are more focused on lighting and decoration. They spend Lakhs of money to make their Pandals an Award-winning one. The communities have different prizes for different categories such as Best Puja, Best Idol, Best Pandal, Best Lighting etc. 

This form of Puja is also flourished in other states and countries of the world.

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Traditional Family Durga Puja

Durga Puja is celebrated in West Bengal since the Medieval Period, also known as the period of Mughal Empires. In 16^th Century the Durga Puja was held in the Court of Rajshahi, and in Nadia District in 18^th Century. However, in 18^th Century it became popular. 

The Zamindar families of the city are quietly carrying on with their traditions, some of which started hundreds of years ago. By mid of 18th Century, the national festival of the Bengalis became an occasion for the rich Babus of Kolkata to flaunt their wealth. It became a religious splurge among the Babu's of Bengal, to measure the supremacy of one over the other. The first Durga Puja seems to have been celebrated by Bhabananda, the ancestor of Maharaja Krishnachandra of Nadia, in or about 1606. The family puja of the Sabarno Roychoudhuris of Barisha dates back to 1610 – the oldest in Calcutta, and conducted even today in a highly traditional style. The traditional household Durga Pujas gained prominence because of their deep and passionate devotion to Goddess Durga.

The puja at Shovabazar Rajbari, is among the oldest Pujas in the city, organised by Raja Nabakrishna Deb of the Sobhabazar of Calcutta in honor of Lord Clive in the year 1757. The puja was organized because Clive wished to pay thanks for his victory in the Battle of Plassey. He was unable to do so in a Church because the only church in Calcutta at that time was destroyed by Siraj-ud-Daulah.

Some of the other significant Pujas are the 250 yrs. old Durga Puja in Dhar family residence in Bikrampur of undivided Bengal still continues in Ashoknagar. The Bikrampur's Hasara village in Bangladesh in 1775 A.D. and still continues till date in their Bagbazar residence. An incident changed the heartless rituals of sacrifice in the Dhar family. Kashinath Dhar was the zamindar of Bikrampur then. He performed Durga Puja at his residence with full traditional rituals. Ashtami was the sacrifice day. It was during the time when human sacrifice was common and was considered the most important part of the Puja. It was on this day the 'Kharna' (weapon used to sacrifice) landed on the child's head, left the child unharmed. With repeated attempts the result remained the same. There was a commotion and when the news reached the zamindar, he fell unconscious. On regaining his consciousness he tearfully prayed the Goddess asking her the reason for the omen. Durga then appeared before him and asked him to stop sacrifices and told him she had placed her hand over the child's neck to protect it and has wiped her hand in a cloth, which is behind the idol. On hearing this, the zamindar rushed to the mandap and found the blood stained cloth. Henceforth, sacrifice was stopped in the Dhar family Puja. Durga Puja took a complete social turn when it started being organized by the common people.

The Ghosh family came to Pathuriaghata at the time of Warren Hastings. It is said that Warren Hastings and his wife visited the Ghosh family. Khelat Chandra Ghosh (1829-1878), grandson of Hasting’s banyan (clerk) Ramlochan Ghosh, shifted out of the old family house at 46 Pathuriaghata Street to a new house at 47 Pathuriaghata Street. The family made remarkable contribution in music and charity. The Family Durga Puja is celebrated still in a traditional way. Gobinda Ram Mitra's of Kumartuli started their Puja in 1800. Samir Dasgupta's household Durga Puja commenced in 1839, in Batajor village in Barishal in Bangaldesh. The tradition still continues till date in Srimani Para Lane residence in Baranagar. Sacchidananda Chatterjee continues with his 200 yr. old household Durga Puja at his residence in Brahma Samaj Road. Other Famliy Pujas like Krishnadeb of Sobhabazar, Mitra Family of Chorbagan, the Seal family of Chorbagan from 1856, Srimani family of Sukia street, traditional Durga Puja at Rani Rashmoni's residence and Kaliprasanna Singha's Family Puja.

All these Family Puja are still carried on in Traditional way. Some of the fragmented Families who are not united today, passed on the responsibility of Puja to their Munims to carry on with their family’s tradition.

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Housing/Apartment/Complex Durga Puja

Today in Kolkata people like to reside in Housing Complexes, Apartments or Enclaves. These Housing complexes consist of different blocks consisting of numerous flats. The housing complexes provide many amenities to their residents.

The Complexes in Kolkata organizes Durga Puja festival at large scale. The residents of all streams of religion and caste become united to put their common endeavor to make the Puja a big success. The Puja is organized by collecting funds from the residents of that particular Apartment.

The artists start with making of the Goddess Durga’s Pratima in the premises of the complexes, before a month to Puja.  The Pandal is made in the Campus of the Complex. The Puja is celebrated in a traditional way. 

On the days of Puja different events are held: Such as drawing competition for children, quiz competition, dance competition, Dhunuchi Naach and many other events. In many complexes on the days of “Ashtami”, Bhog is served for lunch. 

The Complex gets lightened up and the residents come to attend Puja in their fineries.  The Puja is celebrated with great pomp and show in all Housing Complexes of Kolkata.

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